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Cubase 7. These addressed much of the initial criticism certain areas of the program received, particularly concerning the aesthetics of the Mix Console, but Steinberg’s focus in Cubase 7. The company have clearly been spending time looking at various workflows users find essential in competing music and audio software. For those not familiar with Pro Tools, the Playlist feature basically allows you to have multiple versions of different material on the same track.
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Cubase 7. These addressed much of the initial criticism certain areas of the program received, particularly concerning the aesthetics of the Mix Console, but Steinberg’s focus in Cubase 7.
The company have clearly been spending time looking at various workflows users find essential in competing music and audio software. For those not familiar with Pro Tools, the Playlist feature basically allows you to have multiple versions of different material on the same track.
It’s not quite right, so you want to record another take. What do you do? And when it comes to editing, it’s easy to create another Playlist and copy and paste material from the different takes to create the master. So perhaps the biggest new feature in Cubase 7. The basic operation of Track Versions is straightforward. Cubase automatically names the original Version ‘v1’ and the new Version ‘v2’, and the Version name now appears to the right of the track name.
You can now switch between the two Versions via the Track Versions pop-up menu, which also contains commands to rename, delete and duplicate the current Version. This is great, since it means Cubase finally gains Logic’s ability to try out different tempo variations, although weirdly, the Track Versions Inspector section is not available on the Tempo or Signature Tracks, which have to be handled using the pop-up menu approach. However, despite the apparent perspicuity of this approach, it’s probably not the best way to use Track Versions with multiple tracks.
When switching Track Versions with multiple tracks selected, this makes it possible for Cubase to ensure the correct Track Version is chosen for each of the selected tracks. I wonder if the Track Version ID system might be exposing the user to more of the internal workings of Track Versions than is necessary, although power users will no doubt appreciate having full control.
That said, since Pro Tools doesn’t have folders, some users might prefer Steinberg’s approach. Either way, with one exception, Track Versions are going make users of other music and audio software very jealous — especially, at least for now, Nuendo users!
The familiar Inspector is now divided into two tabs: As with Channel Visibility, Track Visibility shows the list of tracks in the current Project, and you can toggle the visibility of these tracks by clicking the dot to the left of the track name.
Simply click the Track Visibility Configurations button on the Project window’s toolbar and choose Create Configuration from the pop-up menu. Configurations can later be updated, renamed, or deleted from the same place, and you can assign Key Commands to the first eight Configurations. Now, you might be thinking that this sounds better than the similar Channel and Rack Configurations feature in the Mix Console window, which only stores four different states — and it is.
So much so, in fact, that Steinberg have replaced it in version 7. A particularly handy touch is that it’s possible to synchronise the visibility of tracks and channels, although this is done by way of some of the cryptic interaction design of which Steinberg seem to be so fond these days. The dot will then display the number of the synchronised Mix Console window, although this is confusing if you have multiple Mix Console windows synchronised, as only the number of the lowest-numbered Mix Console will be displayed.
Given that the Track and Channel Visibility Configurations are essentially the same feature, but implemented separately in the Project and Mix Console windows respectively, you’d be forgiven for wondering if there is the potential for any conflict when these windows are synchronised. The answer is yes and no, since the Configurations are not shared between the two windows, even though their state is reflected when synchronised. However, this isn’t as complicated as it might sound.
Basically, when synchronised, the last recalled configuration affects the synchronised windows. The only point of potential confusion is if you assign Key Commands to the Configurations, since the eight available Configuration Key Commands are shared between Channel and Track Visibility Configurations.
Now You Don’t In addition to toggling the visibility of tracks manually, Steinberg have also added some clever features for some common workflow scenarios, and this is arguably where the new Visibility feature starts to become really useful. Next to the Filter button is an indicator that displays how many tracks of the currently unfiltered track types are visible. So in the previous example, we would see all of our 16 audio tracks again; but if we had filtered out the display of MIDI tracks and we had MIDI tracks in our project, these would remain hidden.
A ‘Show All Tracks’ command is, however, available from the Track Visibility Agents pop-up menu, which can be accessed by clicking the button next to the Track Visibility Configurations button on the Project window’s toolbar. Pretty useful. The new Visibility tab in the project window’s Inspector enables you to hide and show tracks and folders. If the Track Visibility Agent of your dreams hasn’t been provided, however, Steinberg have even made it possible to create your own by using the Project Logical Editor.
This is an incredibly powerful feature, especially since it’s easy to assign Key Commands to Project Logical Editor presets. Why Art Thou, Rack? As you enable outputs, extra channels will appear in the Mix Console window, and these can be accessed in the project window as sub-tracks.
In addition to being able to have multiple audio outputs, Instrument tracks in Cubase 7. It’s also possible to perform this routing manually, since Instrument track plug-ins now appear in the list of possible MIDI outputs, just like Instruments loaded in the VST Instruments rack. In the light of these developments, you might be wondering what point the VST Instruments rack now serves.
In many respects, the answer is that it serves no point at all, although it too has been redesigned in Cubase 7. This is kind of annoying, given that you’d assume the Rack Instruments might appear first for the sake of familiarity, and there’s no way to change this, or indeed to tell the window to show only Track or Rack Instruments.
By integrating the new Track Visibility functionality into the Project Logical Editor, it’s easy to come up with custom visibility commands, such as this one to hide and show the Video track. These are similar in concept to the existing track-based Quick Controls, allowing quick access to commonly used parameters; but, as the name suggests, VST Quick Controls are used exclusively with VST Instruments.
There’s just one problem, though, as this right-click assignment method only works in Steinberg’s own plug-ins. For one thing, its design suggests that Steinberg would really rather you didn’t use Rack Instruments any more. I’m also curious about the new VST Quick Controls feature as well, since it seems duplicative of what could already be done with the existing track-based Quick Controls. A few changes continue to niggle, such as the appearance of more and more cryptic dots in the user interface.
Niggles aside, if you’re already using Cubase 7, there’s really no reason not to upgrade. And if you’re using software from another company, Steinberg’s release schedule must be starting to sting! Track Visibility caters for every imaginable method to hide and show tracks. Instrument tracks now offer multiple inputs and outputs. Cons With the new Instrument track functionality and VST Instruments window, Steinberg are potentially complicating things by providing too many features that perform the same or similar jobs.
The use of dots to indicate functionality when hovering over different areas of the user interface is risible. Summary Cubase 7.
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